By Yasmin Khan, Associate Professor of History at the University of Oxford
The numbers are staggering: up to three million Indians were killed by famine, more than half a million South Asian refugees fled Myanmar (formerly Burma), 2.3 million soldiers manned the Indian army and 89,000 of them died in military service.
South Asia was transformed dramatically during the war years as India became a vast garrison and supply-ground for the war against the Japanese in South-East Asia.
Yet, this part of the British Empire’s history is only just emerging. By looking beyond the statistics to the stories of individual lives the Indian role in the war becomes truly meaningful.
Has the massive South Asian contribution to the World War Two been overlooked?
In some ways, it hasn’t.
The Fourteenth Army, a multinational force of British, Indian and African units turned the tide in Asia by recapturing Burma for the Allies. Thirty Indians won Victoria Crosses in the 1940s.
Increasingly, for both the World War One and Two, the contribution of soldiers from across the Empire-Commonwealth has been coming to light.
But what about all the other people who were caught up in the war?
Numerous other South Asian people sweated behind the scenes to secure supply lines and to support the Allies.
There were non-combatants like cooks, tailors, mechanics and washermen, such as a boot-maker to the Indian army named simply as Ghafur who died at the battle of Keren in present-day Eritrea and whose grave can still be seen there today.
What do we know about the thousands of women who mined coal for wartime in Bihar and central India, working right up until childbirth? Or the gangs of plantation labourers from southern India who travelled up into the mountains of the northeast to hack out roads towards Myanmar and China? Or the lascars (merchant seamen) such as Mubarak Ali, remembered simply as “a baker” who died in the Atlantic when the SS City of Benares was torpedoed?
There were millions of other South Asians working towards the imperial war effort and we never hear about them.
It wasn’t glamorous work: “coolies” loading and unloading cargo at imperial ports or clearing land for aerodromes did not share the prestige of fighter-pilots.
But their work could be very dangerous.
Thousands of Asian labourers died building treacherous roads at high altitude, including the Ledo Road between China and India, working with basic pickaxes and falling prey to malaria and other tropical diseases.
Others died in industrial accidents – there was an incredible explosion in Bombay harbour in 1944, when a ship loaded with explosives and cotton caught alight, blew warships to smithereens and made over 80,000 homeless.
Factory workers and dockworkers also suffered from aerial bombardment – official figures suggest several thousand deaths from Japanese bombs on India’s eastern coastline.
The men and women who kept the imperial war effort going in South Asia did not write diaries and memoirs.
Often for them it was just a job, a way of earning enough money to eat.
They did not see it as belonging to a heroic part of world history, worthy of inclusion in history books. The illiterate left little trace of their service. And often their work – hard and poorly paid – was tough and dangerous whether it was wartime or not.
British officers wrote hundreds of accounts of their time in South Asia but there is not a single written memoir by an Indian rock-breaker, road builder or miner.
It’s not a simple story of heroism or patriotism; many of these workers were more motivated by the need for bread than by the need to defeat the Axis.
And it’s not a straightforward case of imperial exploitation – many elite South Asians made quick profits in the war and transformed their own fortunes.
Experiences of the 1940s depended on caste, class, vantage point and region: a Punjabi soldier could see things very differently to a metropolitan student in Mumbai (formerly Bombay) or a factory-owner in Kolkata (Calcutta).
Often those who worked towards the war were Anglo-Indians, adivasis [tribespeople], Parsis and Christians – and their histories slipped by the wayside during the writing of post-independence nationalist myths.
The people who made up the war effort soon had their lives shaped again by the Partition of 1947 and the carving up of new countries.
In the rush to write new histories of nation states after 1947, much of the history of the 1940s was locked out from official memory. Tales of the freedom struggle took precedence. And in Britain and the US, the emphasis was placed on remembering military contributions to major battles, not on the everyday lives of anonymous workers.
As one report put it at the time, this was not the “forgotten army”, but the “unknown army”. Perhaps now we can finally start to appreciate the fullest extent of WW2.
Yasmin Khan is an associate Professor of History at the University of Oxford. Her book, The Raj at War: A People’s History of India’s Second World War will be published in July by Random House.
Snakes and Ladders, Originated in Ancient India called Mokshapat or Moksha Patamu
The board game, today called Snakes and Ladders, originated in ancient India, where it was known with the name Mokshapat or Moksha Patamu.
It’s not exactly known when or who invented it, though it’s believed the game was played at a time as early as 2nd century BC. According to some historians, the game was invented by Saint Gyandev.
Originally, the game was used as a part of moral instruction to children. The squares in which ladders start were each supposed to stand for a virtue, and those housing the head of a snake were supposed to stand for an evil. The snakes outnumbered the ladders in the original Hindu game. The game was transported to England by the colonial rulers in the latter part of the 19th century, with some modifications.
Through its several modifications over the decades, however, the meaning of the game has remained the same — ‘that good deeds will take people to heaven (Moksha) while evil deeds will lead to a cycle of rebirths in lower form of life (Patamu).
The modified game was named Snakes and Ladders and stripped of its moral and religious aspects and the number of ladders and snakes were equalized. In 1943, the game was introduced in the US under the name Chutes and Ladders.
The Game of Knowledge
Originally, the game of Snakes and Ladders was known variously as Gyan Chaupar (meaning ‘Game of Knowledge), Mokshapat, and Moksha Patamu, and was originally a Hindu game. Nobody knows for sure as to who invented this game, or when it was created.
It may be said that whilst the gameplay of Gyan Chaupar is the same as today’s Snakes and Ladders, the board and higher objective of the game may be said to be quite different. Like the modern Snakes and Ladders board, the number of squares in that of Gyan Chaupar may vary. One version of this board, for instance, contains 72 squares, whilst another has 100. A major difference between the traditional and modern versions is the fact that in the former, a virtue or a vice and the effects of these virtues and vices, or something neutral is placed within each box.
For instance, in an Indian Gyan Chaupar board of 72 boxes, squares number 24, 44, and 55 have the vices of bad company, false knowledge, and ego respectively. As the game places great emphasis on karma, the Hindu principle of cause and effect, each vice (the snakes’ heads) has a corresponding effect. Thus, for the vices mentioned above, the corresponding effects are conceit or vanity, plane of sensuality, and illusion. On the other hand, the virtues of purification, true faith, and conscience are contained in squares number 10, 28, and 46, and these lead to heavenly plane, plane of truth, and happiness respectively. In this version of the board, the goal is to reach box number 68, which is the plane of Shiva.
Religious Teaching Tool
This game was so popular that it was also adopted and adapted by other religions that existed in the Indian subcontinent. It is known that Jain, Buddhist, and Muslim adaptations of the game exist, as the concepts of cause and effect, and reward and punishment, are common to them. For devout followers of these religions, the game may be played as a form of meditation, as a communal exercise, and even as part of one’s religious studies without the use of more conventional books or sermons.
It may be added that many of the surviving game boards are works of art in their own right, as they contain elaborate illustrations of human figures, architecture, flora and fauna, etc. These boards were commonly made of painted cloth, and most of the extant ones date from after the middle of the18th century AD.
The Modern Game
The game of Gyan Chaupar became Snakes and Ladders towards the end of the 19 th century, when it was introduced to Great Britain by India’s colonial rulers. Whilst the original gameplay was maintained, its underlying philosophical message was greatly diminished. The religious virtues and vices were replaced by two-part cartoon dramas connected either by a snake or a ladder. Additionally, the number of snakes and ladders were equalized, whilst in the original ones, there were usually more snakes than ladders, which symbolizes the belief that it is far easier to fall prey to vice than to uphold virtue. From Great Britain, the game traveled to the United States, where it was introduced in 1943 by Milton Bradley as Chutes and Ladders.
Telhara University – Older than Nalanda, Vikramshila Universities
It was a useful mound, no doubt. A good vantage point where villagers occasionally relieved themselves.
But who would have thought that deep beneath its golden brown earth would be stories of dynasties and empires that now suggest that this — Telhara, a village 33 km from the ruins of the more famous Nalanda University — could be ‘Tilas-akiya’ or ‘Tiladhak’, the place Chinese traveler Hiuen Tsang visited and wrote about during his travels through India in 7th century AD? So far, there were only vague references but recent excavations at the mound suggest that Telhara was indeed an ancient university or seat of learning with seven monasteries.
The Bihar government has been calling the Telhara project one of its biggest after the excavations that unearthed Nalanda and Vikramshila universities. The excavation at Telhara should have happened earlier, say experts, but the site lost out to the more famous Nalanda.
The Telhara project that started on December 26, 2009, has so far come across over 1,000 priceless finds from 30-odd trenches — seals and sealing, red sandstone, black stone or blue basalt statues of Buddha and several Hindu deities, miniature bronze and terracotta stupas and statues and figurines that go back to the Gupta (320-550 AD) and Pala (750-1174 AD) empires. But the 2.6-acre mound has now thrown up the most tantalising find yet — evidence of a three-storied structure, prayer hall and a platform to seat over 1,000 monks or students of Mahayana Buddhism.
The terracotta monastery seals — a chakra flanked by two deers — unearthed at Telhara are similar to those at Nalanda, suggesting Telhara or Tiladhak was another great seat of learning besides Nalanda and Odantpuri during the Gupta and Pala reigns. It was the discovery of a similar monastery seal that clinched it for Nalanda University.
Former Archaeological Survey of India director B S Verma, who between 1971 and ’81 supervised the excavation at the site of the ancient Vikramshila university, says, “Telhara or Tiladhak has much more convincing epigraphical proofs — monastery inscriptions — than Vikramshila. The findings that match Hiuen Tsang’s account do more to convince that the place was a university or mahavihara similar to Nalanda.”
In his book, The Antiquarian Remains in Bihar, historian D R Patil writes about Hiuen Tsang’s description of Telhara. “Hiuen Tsang describes Telhara or Tilas-akiya as containing a number of monasteries or viharas, about seven in number, accommodating about 1,000 monks studying in Mahayan. These buildings, he says, had courtyards, three-storied pavilions, towers, gates and were crowned by cupolas with hanging bells. The doors and windows, pillars and beams have bas relieves (sculptures in guilded copper). In the middle vihara is a statue of Tara Bodhisatva and to the right (is) one of Avlokiteshwar”.
Other history books too talk of Tiladhak monastery, on the western side of Nalanda, as having four big halls and three staircases. It is said the mahavihara or university was built by one of the descendants of Magadha ruler Bimbisara. The monastery was decorated with copper and also had small copper bells that gently chimed in the breeze.
For months now, the excavation has been unearthing these stories. Apart from the mound that is now being dug up, Telhara has six other mounds — five of which have settlements and one which is partially elevated.
Atul Kumar Verma, director (archaeology) of the Bihar government’s Department of Art and Culture, says, “Since the excavations suggest that Telhara might have been a contemporary of Nalanda, it is quite possible that it was either an independent university for specialized education or that students graduating from Nalanda University would come here for specialized study. It is a great feeling to see the place emerging as the next big find after Nalanda. It has also aroused great curiosity and attracted even the likes of Nobel laureate Amartya Sen.” Sen wrote in the visitors’ book: “What a wonderful site, really thrilling! And so skillfully excavated and restored.”
“We have found the courtyard that might have been an extension of the platform Hiuen Tsang had described,” Nand Gopal, camp in-charge at the Telhara site, says, peering into his optical line meter that’s mounted on a tripod.
In more recent times, it was A M Broadley, then magistrate of Nalanda, who in 1872 wrote about “Tilas-akiya” as a university and site of learning. British army officer and archaeologist Sir Alexander Cunningham, who visited the place between 1872 and 1878, wrote about inscriptions describing “Teliyadhak” as a place that had seven monasteries and which matched Hiuen Tsang’s account. A statue of the 12-armed Avlokiteshwar Buddha found from a Tiladhak site is at the Indian Museum in Kolkata. Perhaps the best known Pala sculpture from Telhara is now in Rietberg Muzeum, Zurich.
Though there was this and more proof that Telhara could be sitting on a glorious past, it wasn’t until December 2009 that the excavations finally began. Telhara panchayat head Awadhesh Gupta claims to have been the one who got things started.
“We all knew Telhara was once a great seat of learning, but nobody did anything to prove it. In 1995, I approached the Congress government requesting that the place be excavated but got no assurance. When Bihar Chief Minister Nitish Kumar visited the site in 2007, I put up this demand once again. The villagers were not happy with me. They thought I should have demanded something more concrete than just the digging of a mound.”
But the mukhiya may have had the last laugh. Villagers now talk about Telhara being part of the Nalanda-Rajgir circuit and how that could bring them jobs and better opportunities. “We hope the site is conserved and clubbed with Nalanda to attract tourists. The site has already given temporary jobs to 70 villagers,” says Anil Kumar, a villager.
It was a useful mound, no doubt.
Experts associated with its excavation are now claiming that the university originated in the Kushan period.
Atul Kumar Verma said that in the recent excavation, archaeologists have found some bricks of very large size (42x36x6.5cm) substantiating that the university belonged to the Kushan period. “Bricks of the Kushan period were quite large from other dynasties, including the Gupta and Pala periods,” said Verma.
While the Kushan period is considered to be 1st century AD, the Gupta dynasty ruled from 3rd to 6th century AD.
SEALS AND SEALING
The recovery of over 100 terracotta seals and sealings from the Gupta and Pala periods provides strong evidence of this being a Buddhist university. Besides seals of the chakra flanked by two deers, other seals have inscription of Buddhist mantras. Seals of Gaj-Lakshmi and flying birds were also found. Some inscriptions that have not yet been deciphered would be sent to Mysore for deciphering.
Just above the ashen layer — said to be proof of Turkish general Bakhtiyar Khilji having destroyed the monastery — is the sanctum sanctorum of three Buddhist shrines, each measuring 3.15 square metres. A big platform, found just below this ashen layer, is said to have accommodated over 1,000 monks.
CELLS FOR TEACHERS
The excavation has so far revealed 11 cells of 4 square meters each. It is believed that these were faculty quarters. There is evidence of bricks from the Gupta and Pala periods.
COPPER BELL CHIMES
The excavation revealed several broken pieces of small bells. Parts of molten copper also suggest that the monastery was well-decorated.
A stone inscription in Sanskrit (early Nagari script), probably written just before the destruction of the Tiladhak mahavihara, says, “He who tries to destroy this monastery is either a donkey or a bull”. Below the stone inscription are images of the two animals.
FASTING BUDDHA AND VOTIVE STUPA
A miniature terracotta image of a fasting Buddha from the Pala period is a rare find. A six-foot-tall votive stupa from the Pala period suggests the prevalence of Buddhism.
Bone tools and pottery shards of Northern Black Polished Ware points to this being a settlement in the Mauryan period.
Among the over 15 stone sculptures found at the site are a red sandstone sculpture of Bodhisatva, Avlokiteshwar, Manjusri and the Buddha in his ‘earth witness’ mudra. A black stone statue of Buddha in abhay mudra (fearless mode) from the Pala period has been found. The red sandstone Bodhisatva sculpture is believed to be from the Gupta period. Some sculptures of Hindu deities such as Uma Maheshwar and Ganesh and Vishnu from the later Pala period were also found. The presence of a Yamantaka sculpture is evidence of Tantric Buddhism at the monastery.
India’s first Islamic Mausoleum Was Built on Top of Ancient Hindu Temple
About 6 km west of Qutab Minar in Delhi, there lies a tomb called Sultan Ghari which is believed to be the final resting place of Prince Nasir’ud-Din Mahmud, the uncrowned eldest son of Sultan Shamsuddin Iltutmish of the Slave Dynasty built in 1231 AD. It was the first Islamic Mausoleum built in India.
However, engraved symbols of animals, Shiva Linga and the Sanskrit inscriptions on ceiling tell a different tale altogether. The beams of the octagonal crypt bear figures of Kamadhenu, the celestial cow and Varaha, the wild boar reincarnation of Lord Vishnu. These two animals were a royal Hindu insignia and considering the ideology of Islam against idols and the immense hatred towards pigs, it is very unlikely that such statues would adorn the inside of a Muslim tomb.
Iltutmish invaded eastern part of India in 1225 AD which resulted in signing of a treaty between him and Iwaz Khalji, the ruler of Eastern India. After a few successive battles, Prince Nasiru’d-Din Mahmud was appointed governor of Lakhnauti province who later merged the province of Oudh with Bengal and Bihar, gaining him the title of “Malik-us-Sharq” (King of the East) by his father.
The Prince was killed in 1229 AD after a very short rule of 18 months. Grieved by the death of his favourite son, Iltutmish commissioned the Sultan Ghari Tomb. After Iltutmish’s death in 1236, his daughter, Razia Sultana ruled the kingdom until her defeat and death in 1240 AD.
While ASI is pretty much silent on this matter, historians and archaeologists justify these carvings as new buildings being fashioned out of the debris of some Hindu buildings or that the workmen may have been Hindus and would have built the tomb in Hindu style. Their arguments in favor of the tomb fail here because no building worth its name can be build out of old debris and no workman would even dare to fashion a building for which he is hired according to his taste rather than that of the owner’s.
The building is also of an octagonal shape which is another Hindu specialty.
Due to indifference or perhaps purposeful negligence by the government and ASI, we may never know the reality and history of this ancient Hindu temple.
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