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Vedic Science

Description of Solar Eclipse in the Rig Veda

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solar eclipse in rig veda

India is rich not only in its culture and traditional values but also in the vast knowledge ancient Vedic scriptures have to offer. 

Among the four Vedas, the Rig Veda is the oldest.  The others are Yajur, Sama and Atharva.  They are a compilation of suktas or hymns from many different Sages over a vast span of historical time which is evident by different astronomical reference presented.  Rishi Ved Vyas bundled these various hymns into different groups much after their creation.

It is in Rig Veda that Rishi Atri, the human son of Brahma, speaks of eclipses in metaphors of demons and devas.

In Chapter 5, Hymn 40 the Sage explains:

यत तवा सूर्य सवर्भानुस तमसाविध्यद आसुरः |
yat tvā sūrya svarbhānus tamasāvidhyad āsuraḥ |
O Sūrya, when the Asura’s descendant Svarbhanu, pierced thee through and through with darkness

अक्षेत्रविद यथा मुग्धो भुवनान्य अदीधयुः ||
akṣetravid yathā mughdho bhuvanāny adīdhayuḥ ||
All creatures looked like one who is bewildered, who knoweth not the place where he is standing.

सवर्भानोर अध यद इन्द्र माया अवो दिवो वर्तमाना अवाहन |
svarbhānor adha yad indra māyā avo divo vartamānā avāhan |
What time thou smotest down Svarbhanu’s magic that spread itself beneath the sky, O Indra,

गूळ्हं सूर्यं तमसापव्रतेन तुरीयेण बरह्मणाविन्दद अत्रिः ||
ghūḷhaṃ sūryaṃ tamasāpavratena turīyeṇa brahmaṇāvindad atriḥ ||
By his fourth sacred prayer Atri disoovered Sūrya concealed in gloom that stayed his function.

मा माम इमं तव सन्तम अत्र इरस्या दरुग्धो भियसा नि गारीत |
mā mām imaṃ tava santam atra irasyā drughdho bhiyasā ni ghārīt |
Let not the oppressor with this dread, through anger swallow me up, for I am thine, O Atri.

तवम मित्रो असि सत्यराधास तौ मेहावतं वरुणश च राजा ||
tvam mitro asi satyarādhās tau mehāvataṃ varuṇaś ca rājā ||
Mitra art thou, the sender of true blessings: thou and King Varuṇa be both my helpers.

solar eclipse in rig veda

गराव्णो बरह्मा युयुजानः सपर्यन कीरिणा देवान नमसोपशिक्षन |
ghrāvṇo brahmā yuyujānaḥ saparyan kīriṇā devān namasopaśikṣan |
The Brahman Atri, as he set the press-stones, serving the Gods with praise and adoration,

अत्रिः सूर्यस्य दिवि चक्षुर आधात सवर्भानोर अप माया अघुक्षत ||
atriḥ sūryasya divi cakṣur ādhāt svarbhānor apa māyā aghukṣat ||
Established in the heaven the eye of Sūrya, and caused Svarbhanu’s magic arts to vanish.

यं वै सूर्यं सवर्भानुस तमसाविध्यद आसुरः |
yaṃ vai sūryaṃ svarbhānus tamasāvidhyad āsuraḥ |
The Atris found the Sun again, him whom Svarbhanu of the brood

अत्रयस तम अन्व अविन्दन नह्य अन्ये अशक्नुवन ||
atrayas tam anv avindan nahy anye aśaknuvan ||
Of Asuras had pierced with gloom. This none besides had power to do.

The Sage describes how Svarbhanu created eclipses of the Sun and Moon and how Sun appears after an eclipse in the sky.

Svarbhanu is Sva+Bha+Anu.

Sva means sky. Bha means light. Anu means follower.  Compiled together it means follower of light that is present in the sky.  This phenomenon of eclipse is seen due to this shadow where the word Asura stands for the shadow of the moon and not a demon.

Rig Veda says that Svarbhanu was not from the heaven but from the earth, which explains that the moon is a natural satellite of the earth and that it does not have its own brightness but rather reflects the light of the sun.

As shadow of the moon starts covering a large part of the sun, the red tinge of the solar chromosphere becomes visible which is described as the red sheep by Rishi Atri.

When the full solar eclipse takes effect, only the corona can be seen.  This is described as the colour of silver sheep.  When the eclipse is completely over, the sun is restored to its original bright lustre which is described as the colour of white sheep.

In the fifth stanza tells of all the creatures being frightened and in a terrible condition during the full solar eclipse.  The Sage explains that the darkness at the time of this eclipse is different from the normal darkness of the night.  The most affected by this darkness are the birds and animals.

It is a well known fact that India’s rich Vedic tradition has had a powerful influence in the field of astronomy and many eclipse events are well documented in the ancient scriptures.

(English translation of the Vedas by Ralph Griffith)

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Vaastu Shastra

History of Vastu Shastra

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History of Vastu Shastra

Vastu Shastra (or short just Vastu) is the Indian science of space and architecture and how we may create spaces and environment that supports physical & spiritual health and prosperity.

Vastu Shastra evolved during Vedic times in India. The concept of Vastu Shastra was transferred to Tibet, South East Asia and finally to China and Japan where it provided the base for the development of what is now known as Feng Shui.

Vastu Shastra is the art and science of designing houses, offices, temples etc that swirl with good energy. Indian Maharajas and Moghul Emperors used Vastu Shastra when they built their symmetrical palaces, artificial lakes, and geometric courtyards that thirstily absorbed positive energy.

Like feng shui, Vastu Shastra is based on an octagon with the four directions being the anchors. Hindus believe that gods live in each of the quarters of the house, and govern the rooms, possessions, and activities in these locations.

Vasthu is an inherent energy concept of science. We cannot see energy with our naked eyes but we can realize and see its application in different forms and fashions. Vastu Shastra uses the forces of natural energies and aims to restore the balance between the home (the microcosm) and the cosmos (the macrocosm).

Vastu Shastra is not only a science, but is a bridge between man and nature, thus teaching us the Art of Living. Just like every subject of human aspect is governed with rules, regulations and acts, similarly the nature has also got certain key factor principles for smooth governing of its residents, in which Vastu Shastra stands for the law of natural energies.

Vastu, which literally means to live, works on the premise that the earth is a living organism, out of which other living organisms emerge. This life energy is known as Vaastu Purusha. The Vastu Shastra works for a bounded premise i.e., a house, building, industrial area or shop. The main aim is to form a balance between the outside atmosphere and the atmosphere within the premise. Vastu Shastra makes use of five elements – prithvi (earth), agni (fire), tej (light), vayu (wind) and akash (ether), the earth’s magnetic fields i.e. the north and the south pole and the sun’s rays.

History of Vastu Shastra

Vastu Shastra dates back to the times when the sages lived – probably 6,000 and 3,000 BC. The mention of Vastu Shastra can be found in ancient scriptures like the Rigveda, Atharvaveda, Ramayana, Mahabharata, Mayamatam, Manasa saar, etc. Ancient Indian architecture depended on this science for the building of almost all the palaces and temples. Although the exact origins of Feng Shui are debatable, it is thought to have originated about five thousand years ago. Scholars have recorded various aspects of Feng Shui as early as the Song Dynasty (960 BC). However, the basic principles of Feng Shui were first written down during the Han dynasty (25 AD).

How Vastu Shastra works

Vastu Shastra works on three principles of design that cover the entire premise. The first one is Bhogadyam, which says that the designed premise must be useful and lend itself to easy application. The second is Sukha Darsham, in which the designed premise must be aesthetically pleasing. The proportions of the spaces and the material used, in the interiors and exteriors of the building – ornamentation, colour, sizes of the windows, doors and the rooms and the rhythms of projection and depressions – should be beautiful. The third principle is Ramya, where the designed premise should evoke a feeling of well being in the user.

Also, Vastu Shastra is a complicated form of science put together by seventeen sages. There are certain rules that should be followed while building a house or a building. For instance, the building’s underground water tank or well should be situated in the northeast direction. But, if the building has an overhead tank then it should be placed in the southwest direction. Also, more space should be left to the north and the east of the building compound and less on the south and the west. Open space should be kept around the building and if the plot has a road on the east-north directions, it is better for the inhabitants.

Some short principles of Vastu Shastra

  • Indra, the god of gods, is positioned to the East. The East is where it all begins in Vastu Shastra. When people build their homes, the main door or the entrance is always facing the East. The eastern direction is the harbinger of good luck, which comes into the house through the door.
  • Kubera, the god of wealth, resides in the north. In this location some symbolic valuables should be placed to attract wealth.
  • The Northeast is the position for Dharma, the god of righteousness. In Vastu Shastra, this is the place for worship, meditation and introspection.
  • Agni, the god of fire, lives in the southeast corner. This should be the place of the kitchen.
  • Yama, the god of death, resides in the South. He prevents the evil eye from taking control of our lives. In India, people put a ghoulish pumpkin mask, similar to Halloween masks, in Yama’s position to ward off the evil eye.
  • Niruthi, who prevents homes from being robbed, dwells in the southwest corner.

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Vaastu Shastra

Vastu for Pooja Room in Home for Positive Energy

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Vastu for Pooja Room in Home for Positive Energy

In the present times, Vastu Shastra is the most commonly used term, especially when it comes to purchasing or constructing a new home. To have a happy and prosperous household you must lay stress on enhancing the positive energy inside your home. Vastu Shastra increases wealth, well being and prosperity if you live in structures that allow positive cosmic forces.

One of the most important and sacred corner in any home is a zone of tranquility, the prayer or meditation area; usually known as ‘Pooja Ghar’. Although placement of a Puja Ghar itself brings positive energies in a home, but designing this sacred place as per Vastu guidance enhances positivity in the environment all around. According to Vastu Shastra, the North East zone or the Eeshan (Ishan) corner of a house is the best suited area for placing the Puja room.

It is believed that when Vastu Purush was brought down to the earth, his head laid in the north-east direction. So, while worshipping in this direction along with coming closer to the deity, we also pay obeisance to him. The direction also receives the purifying rays of the rising sun, which purifies the environment and brings positivity and prosperity into our homes.

Follow the below mentioned attributes in order to get an ideal Puja room:

  • Never locate the Puja room in the south and the south-east, as these directions are ruled by Yama and Agni, respectively.
  • Never locate the Puja space in the bedroom, as this place is for rest and pleasure. However if there is no choice, locate it in the north-east corner of the room. Take care that your feet do not point towards this corner while lying on the bed.
  • Avoid locating the toilet above, below or opposite to this room to prevent the negative energies of the toilet from spoiling the auspicious atmosphere of the Puja room.
  • This room should also not be constructed next to the kitchen or located under a staircase. In case you do make the Puja space in the kitchen, keep the deity in such a way that you face east while praying.
  • In very big plots, factories or apartments, the prayer room can be located in the centre or the Brahmasthana, the sector governed by Lord Brahma, the Creator.
  • Make the roof of the Puja room dome or pyramid-shaped. This facilitates smooth flow of positive energies from the tip to the dome or pyramid into the puja room. This shape also assists in meditation.
  • Use tranquil colours on the walls of the Puja room like white, soft shades of yellow, blue or violet. These colours do not distract while praying.
  • Ideally, the doors and windows of this room should open towards the east or north. These should be made of good quality wood and have double shutters.
  • Although north-east is generally the direction recommended for locating the idols or pictures of various Gods; yet different deities have different auspicious locations as described:
    • Brahma, Vishnu, Mahesh, Kartikeya, Indra and Surya are placed in the east and facing towards west.
    • Ganesh, Durga, Kuber, Shodas Matrika and Bhairav in the north direction and facing south.
    • Hanuman in the north-east facing south-west, but never in the south-east as it creates fire hazard.
  • Never keep idols brought from ancient temples in the puja room. Also avoid Shrichakra and Shaligram idols, unless you have tremendous spiritual control and are capable of performing puja in a traditional manner.
  • Never display photographs of the dead family members along with the deities.
  • The height of idols should not be more than 18 inches and should always be placed on a high platform or singhasan.
  • Keep the holy books or dharmic granths and other items of samagri and dresses of the deities along the west and south wall.
  • The lamp or deepak should be placed in the south-east direction, governed by Agni.
  • The Puja room should not be used for other purposes, like storing items that do not belong here. It should also not be used for sleeping purposes or to conceal money and other valuables.
  • Never keep a dustbin in the Puja room, as the positive energy gets diminished due to the negative energies emitted by it.
  • If you ensure the above mentioned points, you would not only add to the serenity of the room, but would also find yourself spiritually uplifted with increased powers of meditation.
  • Dr. Prem Kumar Sharma, resident astrologer of Hindustan Times and Vastu consultant, has authored many books including ‘A Comprehensive Book on Vastu’ and ‘Cultivate Your Relationship the Vastu Way’.

~ By Astrologer Dr. Prem Kumar Sharma

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Hinduism

The Sri Yantra – Manifestation of Divine Sound

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The Sri Yantra - Manifestation of Divine Sound

~By: Christina Sarich

The Sri Yantra is a series of interlocking triangles with a perfect ratio of 3.14 or the divine number, Pi. It is thought that this ancient symbol was not intellectually constructed, but that it came to a yogi in deep meditation as a representation of the primordial sound, Aum. This symbol, along with sounds like Aum have incredible healing powers if you just know how to use them correctly.The Primordial Sound of Aum for Healing the Body and Mind, Sri Yantra, and Ancient Divine Symbol of Sound.

The Sri Yantra is an age old symbol – which is meant to heal our minds and hearts. If you know anything about energy healing or healing with sound, then you realize the importance of tuning into a particular vibratory rate in order to elevate the mind and body from its lower, less ideal states, such as those of sickness and depression. You need not suffer from these states of mind. They are illusions of the first class, and many of us have had them for so long that we forget that our natural state is one of joy, vibrant health and, bliss, even.

The Sri Yantra - Manifestation of Divine Sound

The Sri Yantra is a collection of 16 interlacing triangles around a bindu – which is a point of focus for the mind. Bindu literally means ‘point’ or ‘dot’ in the Sanskrit language. If you are using this as a meditation tool, the center point aims at bringing your awareness to a more and more singular point. If you are using the Sri Yantra as a point of contemplation, then you can imagine that the cascade of triangles within the lotus flower is at once a macrocosm and microcosm of the world you live in, with your perception as it is now. While some see Maya as the destructive display of illusion, or the separation of the Divine Mind from the egoic mind, more accurately, it is simple the creative nature of Creation trying to experience Itself. While Maya may keep the veils of true Divine experience out of our current perspective, it also offers a myriad of ways to get back to the Oneness, our true nature, as evidenced by the interlocking triangles in perfect distance from each subsequent set of triangles based on a Pi ratio. . .the creative play of Maya!

There are other places that this ratio exists. It is in nature, for example, and quite prolifically displayed. It is in nautilus shells, in the formation of leaves and petals of innumerable plants. The divine ratio shows up in ocean wave patterns, and you guessed it, sound. Divine sound oscillates at perfect ratios for our optimum health and recent studies in DNA prove that Divine Sound can even change our DNA!.

This new scientific study takes sound therapy out of the New Age pigeon hole it has been stuck in and brings it into mainstream science. The way scientists were able to change DNA was by using particular frequencies of sound, which are essentially energetic patterns, which then encode the DNA much like a computer programmer dictates how a software will work on your computer by creating a syntax which it recognizes. In fact, the team led by molecular biologist ,Pjotr Garjajev, found that DNA responds to sound in the same way langauge is formed, and even has its own grammar rules! Apparently, our ‘junk’ DNA is actually highly programmable utilizing the right frequencies, such that illness can be healed and even super-human skills like clairvoyance, clairaudience and intense intuition can be programmed right into the molecular structure of human beings.

The Sri Yantra - Manifestation of Divine Sound

Linguists even looked at the probability of Garjajev’s research being swayed by his own bias, and they found that there is no statistical way that our DNA is not orderly in its ‘language’ since repeated ‘words’ show up just like in any other language – ones that get used more often, and others which rarely show up to convey an idea. If, in fact, junk DNA holds the keys to opening our true gifts, then it can surely be utilized with sound frequency, to heal us.

When we pair these findings with the work of Dr. Emoto Masaru (of What the Bleep Do We Know, fame) and countless other energy healers that have come forth with their findings in recent years, then we can see why sound, i.e., the primordial sound, Aum, was so important to ancient yogis. If our Wholeness is contained in a singular point, but can expand to include all there is, then the focus on that one point, vibrationally, should heal all that is out of whack, by nature of aligning it with its true nature. Some esoteric teachings go as far as to say that the Sri Yantra is the holder of an ancient holographic wisdom and healing science akin to that of crystalline structures, like quartz. Others say it contains information about the electromagnetic alignment of our poles to the earth’s ley lines. The Sri Yantra is, for certain, a visual representation of primordial knowledge, and sound is its carry signal.

 

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